georgia: a story of war and faith

Two stories define Sakartvelo. War and faith.

We know this ancient country as Georgia. But that’s not what Georgians call it. For them, it is Sakartvelo, land of the Kartvelians. Kartvelian means ‘a person of Kartli’—the historical name of the region since the 4th Century BCE.

Caught between powers hungry for regional domination, Georgia has spent millennia keeping itself and its identity intact in the face of attacks.

As the third country in the world to adopt Christianity in 327 CE, religion runs deep in the Georgian veins. It was faith that strengthened their resolve. It was equally imperative to protect that same faith.

Together these two stories are the story of Georgia. And the Georgian.

Each incomplete without the other. Which explains why all the fortresses built over the centuries were essentially towering walls that surrounded an impregnable stone church in the middle.

Ananuri Fortress is the most dramatic of the lot with its 17th Century high walls looming over the Zhinvali Reservoir. Home of the Aragvi dukes since the 13th Century, it stands sentinel on the road to the Greater Caucasus in the north. Inside, squashed within the walls are two churches whilst a third is perched on the outside. Despite a siege, massacre and arson in 1739, the main church remains a masterpiece with its massive grapevine cross on the facade and a delicate fresco of the purgatory inside.

If Ananuri is formidable, Rabati Castle aka Akhaltsikhe [New Castle] is about a Georgian ruler who converted to Islam during Ottoman rule. A bit of a misnomer, it was first built in the 9th Century, and morphed over the centuries in tandem with geopolitical developments. The result is a concoction of Turkish elegance and Georgian might wrapped around a medieval citadel, 16th Century gold-domed mosque and madrasa, and a 9th/ 10th Century Georgian Orthodox church.

Not much survives of the historical city of Sighnaghi, except for its 4.5-kilometre-long defensive wall punctuated with 23 of the original 28 towers. The city itself was carefully restored in 2005 to its current picture-postcard pretty self. Built by King Erekle II in 1772 to ward off raiders from Dagestan, the crumbling stone walls overlook Alazani Valley sheathed in vineyards with the snow-capped Greater Caucasus Mountains in the background.

The name Ananuri comes from Ana of Nuri village who chose to die rather than reveal the whereabouts of a secret tunnel to marauding enemy armies.

The name Ananuri comes from Ana of Nuri village who chose to die rather than reveal the whereabouts of a secret tunnel to marauding enemy armies.

Rabati Castle comprises an upper Medieval Georgian citadel and a lower section with an Ottoman mosque and Georgian Orthodox church amidst pools and gardens.

Rabati Castle comprises an upper Medieval Georgian citadel and a lower section with an Ottoman mosque and Georgian Orthodox church amidst pools and gardens.

Sighnaghi's defensive walls built in 1772 by King Erekle II overlook the pretty Alazani Valley.

Sighnaghi’s defensive walls built in 1772 by King Erekle II overlook the pretty Alazani Valley.

When Georgia’s churches were not enveloped in high walls, they stood on remote mountain peaks, isolated from the world. These inaccessible solitary stone structures served as vaults for the safeguard of sacred Georgian Orthodox crosses and icons from raids by the Arabs, Seljuks, Mongols, Ottomans, and yes, even the Soviets.

Over the past two millennia, thousands of cross-dome Georgian Orthodox churches have been built across the country. Gergeti Trinity Church [14th Century] in Kazbegi, tasked to protect the most valuable Christian icons and crosses in turbulent times, tops in terms of majestic setting. Look out for the lizard reliefs on the slit windows. They signify spiritual renewal. Bodbe Monastery [9th Century], built over the tomb of St. Nino is the most revered. There is the quirky thrown in for good measure too. Namely, the 7th Century chapel atop a 40-metre-high limestone Katskhi Pillar near Chiatura in which to-date a monk lives and prays.

Before Tbilisi, UNESCO-listed Mtskheta used to be the capital of the Kingdom of Kartli. In keeping with its role as the political and religious centre of one of the world’s earliest Christian states, it was filled with grand cathedrals, monasteries, and chapels. Each of immense historical import.

Jvari Monastery [590s], perched on a mount overlooking the confluence of the Kura and Aragvi rivers, marks the spot where St. Nino pierced a pagan site with a cross and changed the course of the country for good. Svetitskhoveli Cathedral, the country’s principal church consecrated in 1029, stands in the historical city centre. The name translates to ‘Living Pillar’ after Jesus Christ’s robe which is enshrined inside.

A wedding in full swing at the grand early-11th Century UNESCO-listed Svetitskhoveli Cathedral in Mtskheta.

A wedding in full swing at the grand early-11th Century UNESCO-listed Svetitskhoveli Cathedral in Mtskheta.

For 1,400 years monks have lived and prayed atop the Katskhi Pillar. Laymen are not allowed up and have to do with the chapel at ground level.

For 1,400 years monks have lived and prayed atop the Katskhi Pillar. Laymen are not allowed up and have to do with the chapel at ground level.

After David IV the Builder [r. 1089 – 1125] reunited Georgia, Kutaisi in western Georgia became the epicentre of religious architecture. Up came the magnificent UNESCO-listed Gelati Monastery-cum-Academy in 1106 with David IV buried under the main gateway so that everyone would walk over his grave. A case of extreme humility?

Closer to the city is the equally grand, though now partially reconstructed Bagrati Cathedral built by King Bagrat III in 1003. Motsameta Monastery, also 11th Century and known for its scenic location, is dedicated to two 8th Century saints—the siblings David and Constantine who were martyred fighting Arab invaders. Mtsvanekvavila Church [1913], remarkable for its gallery-like display of icons, closes the loop of key religious structures in and around Kutaisi.

Detail, 17th Century fresco inside the Church of the Assumption, Ananuri Fortress. The fresco depicts the purgatory, a popular theme in Christian iconography.

Detail, 17th Century fresco inside the Church of the Assumption, Ananuri Fortress. The fresco depicts the purgatory, a popular theme in Christian iconography.

Bagrati Cathedral built by King Bagrat III in 1003 used to be a UNESCO-listed site. It lost its status after excessive restoration work.

Bagrati Cathedral built by King Bagrat III in 1003 used to be a UNESCO-listed site. It lost its status after excessive restoration work.

Besides the fortresses and churches is another unique architectural feature typical of Georgia. An outcome of war and faith, and fortresses and churches rolled into one, they are the country’s underground city-monasteries.

Georgia is no stranger to cave dwellings. This architectural concept preceded St. Nino who brought the faith to the country, holding a cross made of two pieces of grapevine held together with strands of her hair. She was not exactly welcomed with open arms—it took a solar eclipse for King Mirian III to come around. He was atop a peak, and the skies went dark. Bewildered, he prayed frantically to his pagan gods. But in vain. Then he remembered St. Nino who had healed his wife and called out to Jesus. The skies cleared and there was daylight again. Georgia, thenceforth, became a Christian state.

People in this part of the world had seen the advantages of subterranean dwellings in a warring region as far back as 1000 BCE. Uplistsikhe was one of Georgia’s oldest urban settlements. It lay underground.

Continuously inhabited from the Early Iron Age until the 13th Century, it was a unique mix of pagan [cave architecture] and Christian architecture [10th Century basilica]. The city was eventually destroyed by the Mongols and never revived.

Inspired by Uplistsikhe, enormous subterranean city-monasteries such as Vardzia and David Garaja were also carved out of Georgia’s mountains. These took the shape of multiple levels connected with steep stairs eked out of the living rock, replete with bakeries and wineries, and places of worship, hidden away from the world.

Before being sliced open by an earthquake in 1283, Vardzia’s 19 ‘floors’ consisted of a full-fledged plumbing system and 6,000 rooms to house monks, libraries, pharmacies, wine cellars, a nunnery, and multiple churches and chapels. The most significant was the Church of the Assumption with a rare portrait painted during the lifetime of King Tamar who had commissioned the monastic complex in the 1180s. Post the earthquake and with time, Vardzia has been reduced to the current 13 levels and 641 chambers.

Meanwhile, the David Gareja Monastery one sees today, and which is still in use, is a fraction of the whole. Flush next to the Azerbaijan border, the rest of the monastery, which ran into around 5,000 monk cells carved into the sandstone ridges in the semi-desert, lies on the other side of the border. David Garejeli was one of the 13 Assyrian Fathers who brought monasticism to Georgia in the 6th Century, and a proponent that true monasticism needed to be devoid of all distractions. Hence, the desert location!

Uplistsikhe was continuously inhabited from the end of the 2nd Millennium BCE to the 13th Century CE. It reveals an unusual mix of pagan and Christian architectural elements.

Uplistsikhe was continuously inhabited from the end of the 2nd Millennium BCE to the 13th Century CE. It reveals an unusual mix of pagan and Christian architectural elements.

David Gareja Monastery, surrounded by the 'Rainbow Mountains,' dates back to the 6th Century.

David Gareja Monastery, surrounded by the ‘Rainbow Mountains,’ dates back to the 6th Century.

12th Century Vardzia, when built on the orders of King Tamar, was fully encased in the sandstone mountains. An earthquake in 1283 ripped it open.

12th Century Vardzia, when built on the orders of King Tamar, was fully encased in the sandstone mountains. An earthquake in 1283 ripped it open.

To see more images of Georgia’s fortresses, stone churches, and cave city-monasteries, click on any image below to start a slide show with captions and use the arrows to navigate through the lot. Continue reading

a cultural buff’s guide to tbilisi

So, you like museums, art, theatre, and live music. Then you are in the right place if you are in Tbilisi. 🙂

I spent 10 days in Georgia’s capital this June before travelling deeper west into the country. Though I would venture out on some days to discover the country’s north, south, and east, coming back to Tbilisi always felt like I was returning home.

The city’s hills hugged both the Kura river and hot sulphur springs; its slopes dotted with medieval stone churches. Strains of music would waft through the air, an accompaniment to the fragrance of freshly baked cheesy pies. A patchy sky overhead seemed perpetually torn between sunshine and rain.

Popular legend credits King Vakhtang I Gorgasali as the city’s founder in 458 CE. An achievement reaffirmed by an equestrian statue of him perched on the riverbank. The story goes somewhat as follows: One day the king and his falcon went hunting. The falcon caught a pheasant, but both birds fell into a nearby hot sulphur spring. Chaffed at his discovery of these scalding hot waters miraculously emerging from the earth, the king decided to build a city at this spot. And so, Tbilisi—meaning the ‘warm place’—was born. Archaeological findings tend to dismiss this tale and place the city’s habitation further back in time to the Palaeolithic age. Continue reading

towering peaks and gold jewellery: georgia, land of the golden fleece

This is the story of Colchis. A contemporary of the Sumerians and Ancient Egyptians, with references in Classical Greek mythology, this pre-Christian kingdom today lies somewhat in obscurity.

But three-and-a-half thousand years ago, Colchis was not some figment of literary imagination. It was Jason and the Argonauts actual gold-encased quest. Its peaks that touched the heavens, where narrative saga decided Zeus would chain Prometheus.

Deep inside the isthmus joining Europe and Asia, in valleys tightly sandwiched between the soaring peaks of the Greater and Lesser Caucasus Mountains were a people of immense wealth. Gold dust speckled its 25,000 rivers which when caught using sheepskin with shaggy hair, turned them into ‘golden fleece.’ The people there then transformed this gold into exquisite jewellery, typified by fine granulation, inlaid gems, and animal motifs.

Headdress with four deer, two lions and a pair of birds, made with cutting out portions of metal, Vani, Burial 24, end-4th Century BCE.

Headdress with four deer, two lions and a pair of birds, made with cutting out portions of metal, Vani, Burial 24, end-4th Century BCE.

Continue reading

batumi: stories told and untold

Mosaic in Batumi Piazza by Georgian-Swiss designer Natalia De Pita-Amirejibi comprises 88,244,735 cut and treated tiles of 1 sq. cm each. The marble for the tiles was sourced from 15 different countries.

Mosaic in Batumi Piazza by Georgian-Swiss designer Natalia De Pita-Amirejibi comprises 88,244,735 cut and treated tiles of 1 sq. cm each. The marble for the tiles was sourced from 15 different countries.

Batumi sits on the far western frontier of Georgia, on a pebble-strewn Black Sea coast a mere 20 kilometres away from neighbouring Türkiye. Not many travellers to Georgia make it this far. Which is a pity. The chalk to the rest of Georgia’s cheese, Batumi is an over-the-top Las Vegas-styled sea-side resort in a country known otherwise for its soaring mountains, Soviet remains, rich Orthodox Christian history, and earthy wine.

Brazen, brash, and straight out of Disneyland, Batumi is generous to the curious traveller. It tosses in a Byzantine fortress and a world-famous botanical garden into a quirky mix of fantastical skyscrapers, restored Russian Imperial-era edifices, fabulous outdoor art, mega events, and global cuisine.

Much like it did with me. Continue reading

travel diaries: in search of king tamar’s svaneti

Fresco of King Tamar [left] with her father King Giorgi III. This fresco in Vardzia is the only surviving portrait of Tamar painted during her lifetime in the 12th Century.

Fresco of King Tamar [left] with her father King Giorgi III. This fresco in Vardzia is the only surviving portrait of Tamar painted during her lifetime in the 12th Century.

Mepeta Mepe, King of Kings Tamar was only 18 when she was crowned co-ruler of the Kingdom of Georgia in 1178. Six years later, when her father King Giorgi III died, she became its sole ruler. Here, I’d like to add some context regarding the word ‘Mepe’ before I write further. Georgian is a gender-neutral language, and Mepe means king or sovereign ruler, immaterial of whether the person is male or female.

Coming back to Tamar, her title was not the only unusual part of her story. Georgia, under her rule, reached its political and cultural zenith. Its borders spread from the Black Sea in the west to the Caspian Sea in the east, and the Greater Caucasus Mountains in the north all the way to eastern Türkiye and northern Iran in the south. She founded multiple cultural academies, and the arts and literature flourished with masterpieces such as the epic poem Knight in the Panther’s Skin by Shota Rustaveli written as an ode to her extraordinariness. Continue reading

travel shorts: georgia, birthplace of wine and the toastmaster

When the word for ‘cheers’ [Gaumarjos] translates to ‘to victory,’ it tells you a lot about the role of wine drinking in a country that has been racked by attacks for millennia.

Wine in the Caucasian country of Georgia is not just a drink. It is an integral part of elaborate feasts called ‘supra‘ led by a ‘tamada‘ or toastmaster, who makes fiery toasts using scooped-out animal horns without ever getting drunk. It is a celebration—of a people holding onto their own identity. Hoping for wins at war. Winning those wars. Rejoicing in those wins. Whether the borders expanded or shrunk. Continue reading

photo essay: remnants of soviet georgia

The relationship between Georgia and Russia is, well—complicated. Irrevocably woven, yet defiantly independent, Georgia’s past avatar as the Georgian Soviet Socialist Republic still peeps through across the country. You only need to look. A brutalist masterpiece. A colossal deserted mine with cable cars still frozen mid-air in space and time. Poker-faced apartment blocks sliced with horizontal walkways and plunging lifts. Magnificent abandoned sanatoriums built over healing springs that have given way to tall overgrown trees, moss, and wildflowers.

An urbex paradise. A lesson that nothing lasts forever. Continue reading

travel shorts: home at the kutaisi family house museum

I am
what inspires me.
You are
what you love.
If you set your heart
upon a purpose,
you shall arrive there—
and believe me—
there,
you will find me.
~ Mari Berdzenadze, Excerpt from LAK’ECH

Deep in the heart of Kutaisi’s oldest neighbourhood is Mari’s home. Number 39 on Dato Berdzenadze Street—the street is named after her brother who died aged 21. He was the bodyguard of Eduard Shevardnadze, foreign minister during the Soviet-era, and independent Georgia’s second president. Dato was killed during elections. The house goes by the name Kutaisi Family House Museum. Continue reading

usgalimal, south goa’s 30,000-year-old geoglyphs

I am often asked what is my favourite travel destination. High up on the long list is India. Just when I think I have figured the travel scene out here, it throws me a googly. Now look at Goa for instance. Top layer: beaches and Portuguese-era culture and churches. Second layer: pristine tropical nature and ancient Hindu temples. Third layer? Prehistoric geoglyphs.

Yes, even I was taken by surprise. Far from prying eyes is a collection of some 125 rock carvings spread over 5,000 sq. metres on a laterite shelf dated between 20,000 BC and 30,000 BC in South Goa. They are known as the Usgalimal rock engravings, named after the nearest village. Continue reading

museum visit: piprahwa relics—the light and the lotus

By oneself indeed is evil done and
by oneself is one defiled, by oneself
is evil not done and by oneself is one
purified. Purity and impurity
depend entirely on oneself; no one
can purify another.

~ Dhammapada, Verse 165

The story of Buddha’s Piprahwa relics is as unusual as the story of the man himself—a 6th/ 5th Century BCE prince, Siddhartha Gautama from the Indo-Gangetic plain, who renounced worldly life and possessions to find a faith built on compassion and self-discovery.

Throughout his life, he was adamant he be treated only as a teacher and not God. Because there was no God. Only our karma. Continue reading